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Akira
Akira
Akira
Akira review
Akira
Apr 14, 2021
Akira review
I almost feel bad that, upon re-assessment, I found the classic "Akira" to be so flawed. The source material for the first anime I ever saw, I remembered pouring through these volumes the first time Dark Horse re-released them in their giant phone books. While my maturation of taste has definitely not rendered "Akira" unreadable by any means, I can't help but feel that there is just so much potential for this to be something that it ultimately failed to be.

Let's get started with the good:

The art for this entire series is impeccable. The character designs are spot-on, but what most impresses me are the background renderings. Painstaking detail is put into every last crack, stain, dent, shattered window, decimated tenement, obliterated office tower, speck of rubble of this world which starts as a mere dystopia before turning full on post-apocalyptic. I cannot imagine this scale of desolation or destruction rendered in live action. The framing of every shot is well-done and concise, and the action is always understandable and fluid. From a visual perspective, this is still a landmark of manga.

Now the not-so-good:

The story is a sci-fi story, extremely graphic in content, which also touches on common adolescent fiction or adult themes. At times, it's not too unlike a Japanese sci-fi S.E. Hinton. It straddles cyber-punk by virtue of its cast of drug-addled biker malcontents, but where it fails that level of "hard" sci-fi is also a major downfall of the narrative. Make no mistake, it's definitely about psychic powers. But the way these powers are explained and how they manifest honestly just seems more like "magic." Otomo was clearly not a science buff. "Energy" is supposed to explain away a lot of things, like why a human with psychic powers can fly into space and start carving up the moon.

The extent of Akira and Tetsuo's powers is absurd and never explained well at all. This would be fine if there was some metaphysical subtext that made this seem like a surreal exposition or magical realism, but there isn't. It becomes page after page after page of psychic blasts and things falling around people and that's all it feels like. Re-reading the books, I gave up about halfway through 5. I'd just had enough. It stops telling any sort of meaningful story and almost becomes a Shonen. The point of the story stops being about government intrigue or youth rebellion and shifts to "Tetsuo is really powerful, look at this powerful display of power, man, the good guys better get him."

Further, while the character designs themselves were good, their story arcs and character development left a lot to be desired.

Let's start with main character Kaneda. He is a bad ass biker boy who tries to feel your tits and steals your gun and doesn't get killed because he's a bad ass, end of story, and oh yeah, he can't stop finding reasons why "this time Tetsuo's gone too far," hilariously even well after Tetsuo has obliterated the entire city.

Kei, his sidepiece; She's a nonentity. Like, literally, at one point. She lacks so much characterization that the little psychic kids possess her body in a last ditch effort to do battle with Tetsuo. Unlike Kaneda, she is presumably intelligent and cunning enough to be a pivotal member of some underground terrorist cell (whose aims are never really explained, by the way). Despite this, she ends up helpless and useless in just about every key moment of the story. Brash biker badass powers mean more than all the womanly cunning you can muster in Neo Tokyo.

Tetsuo: Your basic school shooter type. He's actually the only character anyone would bother remembering from this book, because there are moments early on when his instability and anger are actually kinda scary. His psychic powers are grotesque and so follows his own mind. In the real origin story of Kaori, who in the film is a meaningless plot device, she is the lone survivor of a drug orgy he conducts, a scene that is honestly really chilling. At the same time, you find him somewhat sympathetic, so obviously unable to control his power. Once again, the Shonenesque final chapters of the saga squander this on psychic blasts and whatnot.

The rest of the cast are the typical ensemble of people who exist to help these main characters get through the story. They have flashes of being interesting; Ryu and the Biker Clown alone have more dynamic story lines, downfalls and revelations than any of the aforementioned. But the story isn't about them. The story is using them for things. Not much more.

So I just trashed the all-immortal "Akira." Why a rating of 7? Because of the ambition, no matter how misguided, and the detail of the artwork. With proper writing (which is actually hinted at early on in the series, like say, the first couple books), "Akira" could have had a story up to par with its amazing visuals. As it stands, it's just a kinetic jumble of great imagery that doesn't withstand much scrutiny as a whole.
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SHOUNEN SHOUJO 18 KIN
Gisou Honey Trap
Jisatsu Circle
Jisatsu Circle
Jisatsu Circle
Jisatsu Circle review
Jisatsu Circle
Apr 08, 2021
Jisatsu Circle review

RED Dizziness
by radiantfire

Context:
For this review, I'll be analysing Jisatsu Circle by Usamaru Furuya. The concept of the series comes from a movie bearing the same title. While not a direct adaptation, it nonetheless comprises of the same elements: troubled children and suicide.

Story:
The suicidal dive of 54 schoolgirls at Shinjuku station is one of the most memorable opening sequences in any manga I have read. Gruesome and deeply biting, the opening jump alone sets what is profoundly a scary commentary on the state of Japanese contemporary society. It is on this note that Jisatsu Circle introduces one of the most disturbing stories I have ever experienced.

Art:
The horror theme of the manga is heavily accentuated by the art. Characters are drawn pragmatically, bodies are realistically ripped apart, and moods and emotions are easily conveyed through facial expressions. The odd styling of Furuya gives the series a strong grotesque frame of reference.

Character:
Saya is demented. All the girls in the club are demented. They mentally and physically break themselves down in order to gain a sense of happiness which is found, scarily enough, in their deaths. They are, in all sagacity, the fundamental source of horror in the series. Through them, Furuya highlights the importance and the profound fragility of life.

Enjoyment:
The series brought me a strange kind of experience. Although I was intensely engrossed by the story, I strongly felt a sensation of fragility. In all honesty, I have not read anything like it before. It brought me, what can be best described as, a bitter-sweet enjoyment.

Conclusion
Jisatsu Circle provides a terrifying and disturbing volume on Japanese contemporary society. It leaves us to question the very state of their world but also, our own mental states. A sickening and deeply depressing piece of horror, Jisatsu Circle is not one for the faint of heart.
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Sensei no Shiroi Uso
Gakuen Densetsu: Hasami Onna
Dragon Who
Dragon Who
Dragon Who
Dragon Who review
Dragon Who
Apr 06, 2021
Dragon Who review
When you see the title 'Dragon Who' I'm sure most people will be reminded of the old school Japanese manga series 'Dragon Ball'. I hope it doesn't make you put on a pair of expectation glasses because this series is quite different.

The cover reflects the ability of the artist well. I gotta say 'WTH' because her(Kim Ju-ri) art style is so different compare to her oldest work 'Sweety' and the her second one ''Cyber Angel'. She seems to be capable of doing various art styles...hmm. Also there are two authors(Ha Yuhn &Jung Jae-Ran) for this series and they are both females too. Interesting, this manhwa is serialized in manhwa/manga magazine targeted for young males.

I like this series, especially the main protagonist, Roa, is an innocent and pure guy. He's smart yet has quite hard to getting used to unfamiliar human world. (I laughed so hard when he was on the bus.) Question... HOW OLD IS HE??? The Grannys are like 400 right?? Anyway His pure focus is on his noble mission that has the world at stake.

So-ahn is a little deviant. She seems to have been raised quite spoiled with 3 big brothers. In the other hand, she's the first human to give Roa a hand when he first arrives to the human world and that's shows some significance between those two. She doesn't think as badly as other girls do about Roa after misunderstandings too(maybe cause she doesn't feel Roa as a guy to her yet lol).

Now, about the noble mission, the manhwa hasn't given us enough information yet due to the fact only 1 volume is out. The 3 Grannys mentions 'that day' can be brought through Roa finding the girl, and the Espana people seems to be against it. (Both forces seems to be trying to protect the world in their own way)

The way this flows is pretty fast, you have to pay attention to absorb all details regarding the conflict between the dragons and Espana. Story seems to be moving fast for now, which I really don't mind.

Story is still unraveling. There are many questions unanswered. I'm definitely going to keep reading this. I just hope it gets an ending instead of getting discontinued. (BUT PLEASE NO DON'T DRAG ON)
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Senken no Majutsushi to Yobareta Kenshi
Kaikisen
Koharubiyori
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